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 Halo 3 Forum > Halo 2 > Halo 2 Videos > Previous Halo 2 Montage Contests > Montage Contest 5 |
| View Poll Results: Gunshot vs Midpoint :: Vote now! | |||
| GuNsh0t M2 |     | 442 | 49.66% |
| Midpoint 'Gamer grows up' |    | 448 | 50.34% |
| Voters: 890. You may not vote on this poll | |||
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| 1v1 Semi-Finals :: Gunshot vs Midpoint :: Vote Now! | ||||||||
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  Join Date: Dec 2005
Posts: 4,822  | Midpoint FTW
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| 1v1 Semi-Finals :: Gunshot vs Midpoint :: Vote Now! | ||||||||
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 Join Date: Jun 2006 Location: Wet Cheddar pA
Posts: 238  | originality and midpoint ftw mon·tage –noun 1. the technique of combining in a single composition pictorial elements from various sources, as parts of different photographs or fragments of printing, either to give the illusion that the elements belonged together originally or to allow each element to retain its separate identity as a means of adding interest or meaning to the composition. 2.a technique of film editing in which this is used to present an idea or set of interconnected ideas. 3. any combination of disparate elements that forms or is felt to form a unified whole, single image, etc. mon·tage –noun 1. the technique of combining in a single composition pictorial elements from various sources, as parts of different photographs or fragments of printing, either to give the illusion that the elements belonged together originally or to allow each element to retain its separate identity as a means of adding interest or meaning to the composition. 2.a technique of film editing in which this is used to present an idea or set of interconnected ideas. 3. any combination of disparate elements that forms or is felt to form a unified whole, single image, etc. mon·tage –noun 1. the technique of combining in a single composition pictorial elements from various sources, as parts of different photographs or fragments of printing, either to give the illusion that the elements belonged together originally or to allow each element to retain its separate identity as a means of adding interest or meaning to the composition. 2.a technique of film editing in which this is used to present an idea or set of interconnected ideas. 3. any combination of disparate elements that forms or is felt to form a unified whole, single image, etc.mon·tage –noun 1. the technique of combining in a single composition pictorial elements from various sources, as parts of different photographs or fragments of printing, either to give the illusion that the elements belonged together originally or to allow each element to retain its separate identity as a means of adding interest or meaning to the composition. 2.a technique of film editing in which this is used to present an idea or set of interconnected ideas. 3. any combination of disparate elements that forms or is felt to form a unified whole, single image, etc. mon·tage –noun 1. the technique of combining in a single composition pictorial elements from various sources, as parts of different photographs or fragments of printing, either to give the illusion that the elements belonged together originally or to allow each element to retain its separate identity as a means of adding interest or meaning to the composition. 2.a technique of film editing in which this is used to present an idea or set of interconnected ideas. 3. any combination of disparate elements that forms or is felt to form a unified whole, single image, etc. mon·tage –noun 1. the technique of combining in a single composition pictorial elements from various sources, as parts of different photographs or fragments of printing, either to give the illusion that the elements belonged together originally or to allow each element to retain its separate identity as a means of adding interest or meaning to the composition. 2.a technique of film editing in which this is used to present an idea or set of interconnected ideas. 3. any combination of disparate elements that forms or is felt to form a unified whole, single image, etc. mon·tage –noun 1. the technique of combining in a single composition pictorial elements from various sources, as parts of different photographs or fragments of printing, either to give the illusion that the elements belonged together originally or to allow each element to retain its separate identity as a means of adding interest or meaning to the composition. 2.a technique of film editing in which this is used to present an idea or set of interconnected ideas. 3. any combination of disparate elements that forms or is felt to form a unified whole, single image, etc. mon·tage –noun 1. the technique of combining in a single composition pictorial elements from various sources, as parts of different photographs or fragments of printing, either to give the illusion that the elements belonged together originally or to allow each element to retain its separate identity as a means of adding interest or meaning to the composition. 2.a technique of film editing in which this is used to present an idea or set of interconnected ideas. 3. any combination of disparate elements that forms or is felt to form a unified whole, single image, etc. mon·tage –noun 1. the technique of combining in a single composition pictorial elements from various sources, as parts of different photographs or fragments of printing, either to give the illusion that the elements belonged together originally or to allow each element to retain its separate identity as a means of adding interest or meaning to the composition. 2.a technique of film editing in which this is used to present an idea or set of interconnected ideas. 3. any combination of disparate elements that forms or is felt to form a unified whole, single image, etc. mon·tage –noun 1. the technique of combining in a single composition pictorial elements from various sources, as parts of different photographs or fragments of printing, either to give the illusion that the elements belonged together originally or to allow each element to retain its separate identity as a means of adding interest or meaning to the composition. 2.a technique of film editing in which this is used to present an idea or set of interconnected ideas. 3. any combination of disparate elements that forms or is felt to form a unified whole, single image, etc. mon·tage –noun 1. the technique of combining in a single composition pictorial elements from various sources, as parts of different photographs or fragments of printing, either to give the illusion that the elements belonged together originally or to allow each element to retain its separate identity as a means of adding interest or meaning to the composition. 2.a technique of film editing in which this is used to present an idea or set of interconnected ideas. 3. any combination of disparate elements that forms or is felt to form a unified whole, single image, etc. mon·tage –noun 1. the technique of combining in a single composition pictorial elements from various sources, as parts of different photographs or fragments of printing, either to give the illusion that the elements belonged together originally or to allow each element to retain its separate identity as a means of adding interest or meaning to the composition. 2.a technique of film editing in which this is used to present an idea or set of interconnected ideas. 3. any combination of disparate elements that forms or is felt to form a unified whole, single image, etc. mon·tage –noun 1. the technique of combining in a single composition pictorial elements from various sources, as parts of different photographs or fragments of printing, either to give the illusion that the elements belonged together originally or to allow each element to retain its separate identity as a means of adding interest or meaning to the composition. 2.a technique of film editing in which this is used to present an idea or set of interconnected ideas. 3. any combination of disparate elements that forms or is felt to form a unified whole, single image, etc. mon·tage –noun 1. the technique of combining in a single composition pictorial elements from various sources, as parts of different photographs or fragments of printing, either to give the illusion that the elements belonged together originally or to allow each element to retain its separate identity as a means of adding interest or meaning to the composition. 2.a technique of film editing in which this is used to present an idea or set of interconnected ideas. 3. any combination of disparate elements that forms or is felt to form a unified whole, single image, etc. mon·tage –noun 1. the technique of combining in a single composition pictorial elements from various sources, as parts of different photographs or fragments of printing, either to give the illusion that the elements belonged together originally or to allow each element to retain its separate identity as a means of adding interest or meaning to the composition. 2.a technique of film editing in which this is used to present an idea or set of interconnected ideas. 3. any combination of disparate elements that forms or is felt to form a unified whole, single image, etc. mon·tage –noun 1. the technique of combining in a single composition pictorial elements from various sources, as parts of different photographs or fragments of printing, either to give the illusion that the elements belonged together originally or to allow each element to retain its separate identity as a means of adding interest or meaning to the composition. 2.a technique of film editing in which this is used to present an idea or set of interconnected ideas. 3. any combination of disparate elements that forms or is felt to form a unified whole, single image, etc. mon·tage –noun 1. the technique of combining in a single composition pictorial elements from various sources, as parts of different photographs or fragments of printing, either to give the illusion that the elements belonged together originally or to allow each element to retain its separate identity as a means of adding interest or meaning to the composition. 2.a technique of film editing in which this is used to present an idea or set of interconnected ideas. 3. any combination of disparate elements that forms or is felt to form a unified whole, single image, etc.
__________________  "If we weren't all crazy, we'd just go insane." gt: mojo ll aim: ross10482 Last edited by sunshiine; 02-18-2007 at 02:41 PM. | |||||
| 1v1 Semi-Finals :: Gunshot vs Midpoint :: Vote Now! | ||||||||
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 Join Date: Jun 2006 Location: **********
Posts: 262 | gun shot ftw
__________________ Quote:
iExiLed  | |||||
| 1v1 Semi-Finals :: Gunshot vs Midpoint :: Vote Now! | ||||||||
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 Join Date: Dec 2006 Location: San Diego Cali
Posts: 4,874 | wow this is gonna be a hard one, but GunSh0t's montage was cooler in my opinion
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| 1v1 Semi-Finals :: Gunshot vs Midpoint :: Vote Now! | ||||||||
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 Join Date: Sep 2006 Location: Boston, MA
Posts: 313 | Midpoint FT-dubs!
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| 1v1 Semi-Finals :: Gunshot vs Midpoint :: Vote Now! | ||||||||
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 Join Date: Apr 2006 Location: In a house in Florida
Posts: 1,568 | Midpoints was good n' all but I think GunSh0t has a lot more rep and had a really good montage as well.
__________________ Run Time: 3:47 File Size: 88.3MB  ^^ Halo 3 Credit Montage ^^ P3n9u1nk1n9: Are u still recordin?? dr ta nx2 er: yes P3n9u1nk1n9: Ohh, btw, I've got a suprise in my montage just for u P3n9u1nk1n9: It will make ur jaw drop dr ta nx2 er: wow dr ta nx2 er: u get naked P3n9u1nk1n9: noooo P3n9u1nk1n9: not quite | |||||
| 1v1 Semi-Finals :: Gunshot vs Midpoint :: Vote Now! | ||||||||
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 Join Date: Aug 2006 Location: XBL Warrior
Posts: 4,416 | GuN Shot M2
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02-17-2007
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